Anastacia Sadeh is a Dallas-based visual artist whose work explores the intersection of painting and mental wellness, focusing on emotional authenticity, self-awareness, and the complexities of human connection. With a background in Art History and Printmaking/Drawing from Washington University in St. Louis, her practice integrates psychological theory and personal narrative to examine how emotional memory, trauma, and caregiving are passed down through generations.

Sadeh’s work is rooted in an exploration of mental health and the dynamic interplay between conscious thought and emotional depth. Her early paintings captured fleeting emotions through abstract layers of water-based media, often incorporating Venetian plaster as a way to build texture and depth.

Her most recent series, Generational Healing, explores attachment theory and epigenetics as she investigates how identity and emotional regulation are shaped by inherited experiences. She frequently centers these compositions on portraits of children—often family members—using their likenesses as entry points into intergenerational narratives. Through this lens, she highlights the validity and power of the maternal gaze in contemporary art, emphasizing care, vulnerability, and emotional nuance. Prior to her Generational Healing series, she created her House and Home series. This series personifies architectual structures in place of human forms as a nod to the need of personal sanctuary and concept of dometic attributes within human identities.

Her process often combines water-based media, Venetian plaster, and acrylics to create textured, layered surfaces. The interplay of spontaneous and deliberate mark-making mirrors the psychological tension between control and surrender. Figures are placed within symbolic, atmospheric environments that function as internal landscapes—spaces where healing, memory, and identity converge.

Sadeh views her painting as a form of visual music: abstract elements set an emotional rhythm while figurative forms act as lyrical anchors. Her work invites reflection on emotional inheritance and transformation, offering a contemplative space for dialogue around mental health, identity, and connection.

A defining characteristic of her work is the contrast between fluid, organic linework and precisely rendered forms. Her current paintings frequently integrate recognizable figures and architectural elements within abstracted landscapes—serving as visual metaphors for the relationship between the evolving authentic self and the ever-present internal dialogue.

She currently lives and works in Dallas, Texas, creating primarily on stretched canvas and cradled wood panels.

 My work explores the intersection of painting and mental wellness, using visual language to examine emotional authenticity, self-awareness, and human connection. With a background in Art History and Printmaking/Drawing from Washington University in St. Louis, I approach painting as both a creative and psychological inquiry.

Informed by attachment theory and epigenetics, my practice investigates how emotional memory, trauma, and caregiving are transmitted across generations. I explore how these forces shape identity, emotional regulation, and relational capacity—translating inherited emotional landscapes into layered figurative and abstract compositions.

Portraiture, homes as personified structures, surreal landscapes, and flowing line-work plays a central role in my work. In ny most recent work, I often begin with the image of a child in my family or someone I know deeply, using their likeness as a portal into intergenerational narratives. These works validate the maternal gaze—asserting it as a powerful and underrepresented lens in contemporary art that centers attunement and emotional depth.

My figures are placed within symbolic, surreal environments that function as psychological spaces where past and present, struggle and healing, coexist. Through a process that combines water-based media, Venetian plaster, and acrylics, I layer intentional and spontaneous marks to reflect the tension between control and surrender—a visual metaphor for the complexity of transformation.

Ultimately, my work invites reflection on how we inherit and reshape emotional legacies. It seeks to create spaces of recognition, offering a visual language for nuanced emotional experience and fostering deeper dialogue around mental health, identity, and connection.

I currently live and work in Dallas, Texas, creating on stretched canvas and cradled wood panels.